The telecommuter, the lurker, the hacker, the web surfer, the newbie, the flamer, the sysop, or the hot chatterer all constitute new posts in/of existence. These positionalizations of individual agency are more than minor variants of conventional tool usage; they provide new social roles to invent and/or evade, as telepresences or as cyberagents, a dramaturgy of collective cultural activity. [ 8 ] The bandwidth constraining most network communications now more or less dictates that such digital beings represent themselves and deal with others through a textual interface. While some symbolic refunctioning of keyword orthography exists, digital beings exist on-line through point-to-point, many-to-many exchanges of spare prose that rarely fill one entire VDT screen. Graphics, scanned photos, voice, and desktop video can change the sociologies of this digital being, but most interactions still occur now within bursts of electronic writing. These mediations of one's identity as a digital being, in turn, delimit how such telepresence or hyperembodiment is experienced as a meaningful variety of personal existence. Interestingly enough, these forms of digital being are being widely used in various forms of cybercenotaphs. Using web sites, friends and relatives of the dead are digitizing the deceased in images, text, and audio, giving the now dead-and-gone an on-line resurrection.
This vision of digital being often veers back and forth between states of existence defined either by serious work roles or fantastic play roles. Highly mobile, symbolic-analyst workers, for example, envision telecommuting, usually seen best in slick telecom or modem advertisements, as liberation from office politics, bureaucratic drudgery, or fixed careers, because their laptops and modems link them into their physical workplaces as they perform new types of free, self-guided, pleasant labor at the beach or in the mountains. Digital being in this view is a liberated subjectivity able to go anywhere anytime anyway and still stay in productive, efficient work relations. Telecommuting, however, also can assume the more common form of off-shore, low-wage sweatshops where female data-entry or wordprocessing specialists move raw data or text by the keystroke through satellite switches to major corporations in Los Angeles, London, or Lyons. Sure, cybersexual subjectivity can be fantastic and playful. Because physical bodies often do not appear in the interface, digital sexual beings can choose to be male, female, young, old, heterosexual, homosexual, transsexual, etc. even if they are not. Virtual identity varies widely in cybersex, allowing anyone to do anything anytime anyway with anyone or anything. Digital being allows one to invent varying identities for work or play that can be adapted to different real and hyperreal contexts. Work contracts solicited over the Internet may be won by bidders who disguise their age/gender/race in virtual identities to compete more openly with bigger, different, richer competitors; sexual liaisons may occur between two digital beings invented, on the one hand, by a duo of bored junior female bankers and, on the other, by a group of male transvestites who simply enjoy playing vicariously the virtual parlor games of their digital beings. The liberating possibilities of these activities, however, cut more than one way. As the current controversy over cyberporn on the Internet indicates, digital being also can electronically mediate dark, violent urges from the nonvirtual world, as cyberporn is accessed by children, pedophiles find young victims in some BBS chat session, or murder is plotted in snuff stories for an adult MUD. Cybersex is not necessarily just play.
This kind of digital being as a significant positionalization of cybersubjectivity is becoming more interesting morally, politically, and socially, because so many real moves in human ethics presume face-to-face personal contact (like virtuous gestures or criminal acts) or materially embodied synchronous colocation (like politics or sex). Digital beings can create cybersubjective interactions that apparently satisfy their initiators in screen-to-screen "non-contact" or virtually disembodied asynchronous "dis-location." Libertarians assert we should be free to do anything in our own private sphere as long as it does not harm others. Do digital subjects inhabit personal spheres that conform to such ordinary notions of privacy? In the realm of digital being, what is harmed and how is it harmed? In virtual reality, what new legal, political, and cultural rules should guide hyperreal behavior? Might not digital beings of this sort be encouraged, for example, to press for teledemocracy in cybernetic referenda? Would voters approach it seriously, like real embodied civic voting, or mostly as play, like hyperreal on-line cybersex? Should digital beings who simply indulge in imagining acts of murder, rape, torture, or dismemberment to other digital beings in some kinky MUD be sanctioned somehow for their sociopathological digital acts? Would only new digital laws pertain here or would old laws need to be mapped over? And then who would promulgate and enforce them? As Negroponte suggests, telepresence is and is not like a material presence. But should not digital beings expect similar ethical outcomes as "bits" from "atomic" categorical imperatives to operate in cyberspace? Will the moralities of material being fit digital being poorly, or will they finally complete themselves there?
B. Digital Being: Second Form
A second and much less prominent variety of digital being is emerging out of software assemblies as computer designers push for "intelligent agency" by designing new personal services into hardware and code structures. Programming design has advanced quite significantly as new bioemulations or artificial lifeforms are being created to coevolve with people. This sort of digital being has developed with considerable rapidity and real diversity alongside computer machineries and networks. Looking at real computer systems, for example, one finds thousands of artificially generated organisms, like computer viruses, which essentially are digital parasites living off the hyperbiotic resources provided by computer hardware. Whether the environment is a diskette, a hard disk, a mainframe CPU, or a network server, these digital beings typically are self-reproducing pests whose life-forms depend upon adapting to data niches in the cyberenvironments of real computers. At the same time, artificial life designers create "virtual computers" within real computers, as a type of bioisolation lab, to generate new virtual organisms that will occupy only the virtual environments emulated by these isolation chambers. Here, digital being takes many forms: cellular automata, pattern machines, game artifacts, or genetic algorithms. Their vitalistic properties, in turn, can be controlled to prevent them from becoming viral parasites in real computer systems.
These digital beings are only made out of computer code, but increasingly they have many conventional accepted signs of life: intelligence, sentience, agency, prudence, creativity. What are these digital beings that now are beginning to thrive purely in cyberspaces? The (con)fusion of labor/machine in crude software packages such as "Bob" or "Wildfire" is creating post-zoological agents with many new locations of subjectivity: receptionist, mail sorter, batman, personal assistant, chamberlain, travel planner, executive secretary, research assistant, data analyst, pattern detector, symbolic analyst, communications operator, calendar keeper, life master. As these and other more advanced packages become individually customized by their users in particular cultural, familial, and historical practices, and as they perhaps become more sapient in their intelligence and liberated in their agency, one must ask what these digital beings are qua being? Are they purely dead, functional appliances, or does their intelligent agency somehow make them alive?
Such personal digital assistants (PDAs) may be much more than a gizmo, like Apple's Newton, but much less than a zoological lifeform, like a seeing-eye dog. Either way, as they evolve, they could indeed become a vital and permanent presence in many of our lives. In fact, as digital recorders with total omniscience, they could become the definitive chroniclers and masters of our lives inasmuch as their digital being mediates between us and other beings of all types. How will these digital beings be created, who will introduce them into our existence, what protections will they have, which ones will be empowered to do what in service of which ends, and when will they be terminated? When one's intelligent agent is directed to meet and negotiate with another's intelligent agent in a context of some moral and legal force (as envoys, dealmakers, and decisiontakers) will the digital being of those agents be regarded:
1) as dumb extensions of their owners, like servants, slaves, or animals
2) as purely private property of their owners, again like slaves or animals
3) as quasi-autonomous subjects of employment by their owners, like bondsmen or apprentices
4) or, as in-house chattel of computer networks, like voicemail systems or menu routines in software packages?
Are they virtual representatives with some modicum of their own preauthorized discretion, actual representatives carrying only our direct brief, or are they physical representatives simply standing in for remotely positioned human beings? Empowered to protect and serve their users/owners in cyberspace, will these intelligent agents be forced to give witness, endanger information, disclose secrets, reveal decisions, or provide access against their instructions? What rules would hold then: are they truly conversant, intelligent agents with some sort of legal protection? If so, what sort of rights might be extended to them and why? Or are they essentially dumb, dead boxes available for inspection at any time by anyone?
Musing about such cybernetic subjects may seem silly, because, after all, as Claus Emmeche argues, the intelligent agents generated by computational biology or cyberbioengineering can only be slaves to their masters. [ 9 ] Yet, is this entirely fair? Some cybernetic visionaries foresee a human life beyond the body, and here they are not talking about some future biomechanical resurrection of a human being's zoological wetware from a cryogenic deep freeze.
As Hans Moravec at Carnegie-Mellon University dreams, why not transfer all of a living human being's memories, intelligence, agency, knowledge, and experience as sophisticated computer code onto chips or into software, recording perhaps even the living person's actual voice on a sound chip? [ 10 ] In such a case, does a living human being become another kind of PDA - a personified digital agency, a postbionic demonic avatar, or a previously-embodied digital angel? What would these humanoid digital beings be: merely bizarre simulacra of once zoological forms, or truly intelligent human agencies? A "brain death" in the body could be sublated by a new "brain life" on the net, creating unbelievable dilemmas for such cyberbiota betwixt and between postzoological notions of life and death, agency and property, identity and power, being and time.
While living beings cannot now migrate from carbon-based to silicon-based bodies, a kind of Jurassic Park-like resurrection of the once dead from the still crypts of an analog grave occurs everyday as morphing magic pulls bits of code from the amber suspension of old celluloid film stock, plastic LP records, or oxide audio tape.
Mixed in morphing programs, simulated by sampling routines, colorized from chromatic computations, the crisp images of real bodies or rich echoes of actual voices long ago lost to real-time analog death return in Coca Cola commercials or Forest Gump-eries as golems ground together out of gigabytes of digital dust. [ 11 ] Now smart movies can cast living-dead digital actors in new supporting roles speaking in sampled voices and moving within morphed bodies alongside real actors. Smart recording studios can record music allowing us all to listen to Hanks Williams, Sr., Hank Williams, Jr., and maybe a Hank Williams, III sing a new digital ballad, just as Nat King Cole and Natalie Cole or John Lennon and the still-living Beatles all sing in real-time from cyberspace in hyperreal arrangements. New problems will arise here: who gets the royalties, where will the Oscar be mailed, and how can Betty Ford clinics survive when only cybercelebrities make movies or records?
C. Digital Being: Third Form
Least prominent in many discussions, a third kind of digital being is developing within smart machines as engineers attempt to androidize hitherto dumb/mute machines, transforming them into smart/talking digital beings. In this third form of digital being, computerized applications of intelligent agency are being substantively integrated into cybernetic and noncybernetic technical objects, giving many such artifacts most of the key classical traits of human life: consciousness, intelligence, personality, memory, speech, agency, or experience. (Negroponte envisions a voice-activated interface with such appartuses in Being Digital 206-218.) The (con)fusion of the living being and the dead machine in a fabricated artifact generates another sort of parabionic agent with many new significant positionalizations of subjectivity: talking car, smart house, electronic wallet, knobotic terminal, autopiloting boat, prudent drone, brilliant munition, aware apartment, surveillant store, intelligent toilet. In other words, some of Negroponte's "bits" now occupy, or even animate, "atoms" in some very new and interesting ways.
Increasingly, one finds hitherto dumb mechanisms, which were once totally controlled by direct human manipulations of mechanical control surfaces built into machineries as manually-activated interfaces (like steering wheels, keyboards, push buttons, or handles) being given the powers of voice and/or speech recognition. Digital control plus digital speech synthesis and voice recognition are animating once dumb objects, permitting them to be voice-activated varieties of smart subjects. Unable to speak to first nature, human beings are combining elements from second and third nature into a new kind of digital being with embodied, active, and intelligent capabilities. Thus, entire new species of these digital beings can coevolve with human beings in quasi-objective/quasi-subjective networks which essentially provide the first formative ecologies for an android subjectivity in cyborg environments.
Clearly, these beings are neither data from Star Trek: The Next Generation nor even Star War's C3PO with all of their highly anthropomorphic representations of digital being. Instead they are more like the Starship Enterprise itself in old Star Trek Classic episodes, in which the space vehicle itself, with all of its on-board computer systems, human and nonhuman life supports, and sensing arrays, was an intelligent digital being with distributed intelligence built into its own machinic structure. With enough conscious agency to organize its own baseline guidance, and with a conversant consciousness and general analytic problem-solving powers all engineered into its own cybernetic systems, the Enterprise represents how complex a voice-activated tool can be. Such forms of digital being are beginning to coevolve with humans as unique new species. The closest approximation to this kind of intelligent technology today undoubtedly can be found in the decentralized, adaptative, flexible, collaborative, distributed, and expert systems in the network of networks composing the Internet structure.
This form of digital being is not science fiction; precursors already exist in many concrete prefigurations as intelligent materials, smart weapons, voice activated mechanisms, expert systems, or robotic complexes. Even without contact with human cybernetic subjectivity of the first type, these beings would have qualities of digital life with their strong emulations of consciousness, sentience, prudence, agency or personality in each of their cybermechanical structures. [ 12 ] As they exist in greater numbers more widely, we must consider all of the implications of coexisting with such digital beings. When genetic algorithms are coupled with robotic factories to turn out new generations of conversant computers, intelligent materials, or expert tools, then a truly new phylum of digital beings might well begin evolving quite apart from any direct human intervention.
Stealth warplanes, because of their intrinsically anti-aerodynamic designs, already must fly themselves "by wire," apart from their pilot's manipulations, to maintain any semblance of stability and lift, and their designers are testing whole new associated families of brilliant munitions that will decide on their own the specifics of when, what, who, why, and how to destroy without much, or any, direct human control from "friendly sides." Once brilliant weapons move beyond the ordinary smartness of "fire and forget" to an extraordinary brilliance in "find, figure, fix, finalize, fire, and then forget," then many civilian spin-offs will follow. Brilliant automobiles driven on smart roads to intelligent houses constructed for info-cities will begin to do everything they are told on their own initiative once empowered to act by their owners. The technological assumptions about becoming a digital being, as they are built into autonomous weapons systems like PROWLER (Programmable Robot Observer with Logical Enemy Response) or Brilliant Pebbles (a Star Wars ABM system), plainly will make other forms of autonomous artifacts, expert systems, or smart devices far more common coinhabitants with us in our social spaces. (DeLanda 160-78.)
II. The Coevolution of Digital Beings